“Comment fonctionne la flûte à bec = How the Recorder Works.” Philippe Bolton, facteur de flûte à bec. “L’evolution de la perce des flutes a bec = The Evolution of the Recorder’s Bore.” Philippe Bolton, facteur de flûte à bec. “A Theory of Edgetone Production.” Journal of the Acoustical Society of America 44: 458. “Physical Properties of Sustained Part of the Treble Recorder Tone and Its Subjective Excellence of Quality.” Journal of the Japanese Musicological Society 23 (2): 81–101. “Time-Domain Modelling of the Recorder.” In Proceedings, 47–53. “The Sound Quality of Dutch Wind Instruments from the Baroque Period: The Project (1).” In Proceedings, 533–42. “Dutch Wind Instruments from the Baroque Period: Scientific Qualities and Features.” Musique, Images, Instruments: Revue Française D’organologie et D’iconographie Musicale 4: 33–52. This will be of particular assistance to students and researchers. A more convenient and flexible way of exploring it is via the Zotero citation database underlying this web-site. The Zotero interface is straightforward to use and allows you to export selected entries in a variety of formats and to create your own citation lists in a range of journal styles. However, the focus is largely on the literature of relevance to makers themselves. It will be of general interest to wind-instrument makers, repairers and players. This bibliography covers a wide range of topics concerning the making of recorders, arranged under a number of useful headings.
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